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Ray RichardsonB-Dink, 1991Etching, signed, titled, numberedMounted and cut down from the original sizeAP signed and titled£ 600.00 -
Ray RichardsonDon’t make me Laugh, 1991Etching, signed, titled, numbered25.5 x 30.5 cm£ 600.00
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Ray RichardsonDon’t make me Laugh, 1991Etching, signed, titled, numbered25.5 x 30.5 cmAP signed and titled and numbered. Mounted and cut down from the original size£ 600.00
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Ray RichardsonEastenders, 1991Etching, signed, titled, numbered30. 5 x 25.5cmEdition of 40£ 600.00
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Ray RichardsonEastenders, 1991Etching, signed, titled, numberedMounted and cut down from the original sizeEdition of 40AP signed and titled and numbered.£ 600.00
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Ray RichardsonThe Voyeurs, 1991Etching, signed, titled, numbered43 x 25 cmEdition of 40£ 480.00
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Ray RichardsonThe Young Unknown, 1991etching, signed, titled and numbered43.2 x 25cm
Edition of 40£ 480.00 -
Ray RichardsonThere is a fly in my soup, 1991Etching, signed, titled, numbered30.5 x 25.5 cm£ 600.00
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Ray RichardsonThere is a fly in my soup, 1991Etching, signed, titled, numbered30.5 x 25.5 cmAP signed and titled and numbered. Mounted and cut down from the original size£ 600.00
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Ray RichardsonThe Hat Caper, 1990Hand coloured etching, signed, titled, A/PFramed 45 x 38 cmed.APRay Richardson, The Hat Caper, 1990Reserved
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Ray RichardsonThe Robbers’ Day Out, 1990etching, signed, titled and numbered31 x 25.3 cm
Edition of 40£ 480.00 -
Reece JonesA Look Your Smile Can't Disguise, 2019Charcoal and polymer varnish on conservation board41 x 31.8 cmSigned, titled and dated£ 2,400.00
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Reece JonesThis Look Will Hurl My Soul From Heaven, 2019Charcoal and polymer varnish on conservation board184 x 154 cm
Signed, titled and dated£ 30,000.00 -
Reece JonesZeit, 2018Charcoal and polymer varnish on museum board70 x 56 cmSigned, titled and dated£ 4,200.00
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Reece JonesDoes A One Legged Duck Swim In Circles?, 2015Hand pressed linocut on off-white Zerkall paper. Signed and numbered.Sheet Size: 38 x 27 cm
Edition of 20£ 360.00 -
Reece JonesDoes A One Legged Duck Swim In Circles? II, 2015Hand pressed linocut on off-white Zerkall paper. Signed and numberedSheet size: 38 x 27 cm
Edition of 20Reece Jones, Does A One Legged Duck Swim In Circles? II, 2015£ 360.00 -
Richard PlattPlaying Pinball, c.1950Three colour lithographSheet size 37.5 x 28cm
FRAMEDsigned and inscribed by the artist's widow Diane Platt -
S H RazaPrakriti Bindu, 2008Lithograph on wove paper109.5 x 54.5 cmEdition of 150Signed and numbered
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S H RazaUntitled, 2008Lithograph on wove paper109.5 x 54.5 cmEdition of 150Signed and numbered from the edition of 150 in white ink, with the ‘La Différence’ stamp on verso
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Said AdrusZeitgeist, 2022Silkscreen on paper55 x 64 cmEdition of 40 plus 10 artist's proofsSigned and numberedSaid Adrus, Zeitgeist, 2022£ 360.00
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Sarah HardacreWe Delight in the Beauty of the Butterfly, but Rarely Admit the Changes it has Gone Through to Achieve that Beauty, 2023Digital Ink Jet Print133 x 63.5 cmEdition of 25Signed and numbered on the versoSarah Hardacre, We Delight in the Beauty of the Butterfly, but Rarely Admit the Changes it has Gone Through to Achieve that Beauty, 2023£ 480.00
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Sarah HardacreA Bittersweet Reminder of the Flowers They Could've Been, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.29 x 17.5cmSigned, titled and datedSarah Hardacre, A Bittersweet Reminder of the Flowers They Could've Been, 2021£ 960.00
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Sarah HardacreAll my eye and Betty Martin, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.
FRAMED29 cm x 36.5 cmSarah Hardacre, All my eye and Betty Martin, 2021£ 1,200.00 -
Sarah HardacreI Didn't Know You Could Read Margaret, 2021Paper collage: digital print of an internet image and House of St Barnabas interior.
FRAMED
30 cm x 21 cmSigned, titled and dated on the verso
Sarah Hardacre, I Didn't Know You Could Read Margaret, 2021£ 1,200.00 -
Sarah HardacreI Know I've Done Some Foolish Things, 2021InkjetSheet size: 74.5 x 45.5cmEdition of 50 plus 7 artist's proofsSigned, titled and datedSarah Hardacre, I Know I've Done Some Foolish Things, 2021£ 480.00
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Sarah HardacreI Think What My Mother Thought, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.
FRAMED46 cm x 28.5 cmsigned titled and dated on the versoSarah Hardacre, I Think What My Mother Thought, 2021£ 1,200.00 -
Sarah HardacreI was hit by arrows from everywhere, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.29.5 x 21cmSigned, titled and datedSarah Hardacre, I was hit by arrows from everywhere, 2021£ 960.00
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Sarah HardacreSomeone has to make the dinners and sort the socks, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.
FRAMED40 x 29cmSigned, titled and datedSarah Hardacre, Someone has to make the dinners and sort the socks, 2021£ 1,200.00 -
Sarah HardacreThe Country airs could indeed have circulated with a reasonably Vigorous freedom, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.
FRAMED30 cm x 16.5 cmSigned, titled and datedSarah Hardacre, The Country airs could indeed have circulated with a reasonably Vigorous freedom, 2021£ 1,200.00 -
Sarah HardacreThe people who were close to her struggled to describe her. Nobody could quite keep the fantasy and the reality of her in their heads at the same time, 2021Paper Collage: digital print of an internet image and House of St Barnabas interior.
FRAMED20.5 x 27cmSigned, titled and datedSarah Hardacre, The people who were close to her struggled to describe her. Nobody could quite keep the fantasy and the reality of her in their heads at the same time, 2021£ 1,200.00 -
Sarah Hardacre"Feast your eyes”, she said victualling visually, 2020Paper collage17.7 x 23.7cmSigned, titled and dated
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Sarah Hardacre'I Don’t Know What I Want to be and I’m Still Not Sure of What I am’, 2020Paper collage: magazine cutting, digital print of a photographic slide and G.F. Smith Gmund Action Alpine Sparkling Water 310gsm paper.
Mobberley Tower, The University of Manchester, Oxford Road
Architects: J.S. & J.W. Beaumont Built: 1960-1965
Penthouse: Vol. 2 No. 1, September 1966
Model: Amber Dean-Smith30 x 25.5cmSigned, titled and datedSarah Hardacre, 'I Don’t Know What I Want to be and I’m Still Not Sure of What I am’, 2020£ 840.00 -
Sarah Hardacre'I Mean, I think I’m Worth It N’est-Ce-Pas?', 2020Paper collage: photographic print of an archive slide, magazine double page spread.
'Maisonettes on the roof of the north section of the Manchester Arndale Centre, photographed in May 1985. The architect for the centre was Wilson & Womersley'
Cromford Court, Manchester
Penthouse: Vol. 9 No. 1, 1974
Model: Marie Ekorre22.7 x 34.1 cmSigned, titled and datedSarah Hardacre, 'I Mean, I think I’m Worth It N’est-Ce-Pas?', 2020£ 840.00 -
Sarah Hardacre'I Sort of Sang My Way Around the World', 2020Paper collage: digital print of an archive slide, magazine cutting, G.F. Smith Peregrina Majestic Sand 310gsm paper.
Coverdale Crescent, Ardwick, 1970-72. AKA 'Fort Ardwick': Manchester City Architects Department. Bison System Build (prefabricated concrete).
Penthouse, Vol. 8 No. 2, 1973
Model: Linda Diane29.5 x 29.7 cmSigned, titled and datedSarah Hardacre, 'I Sort of Sang My Way Around the World', 2020£ 840.00 -
Sarah Hardacre'Tradition Has It that Man does Better to Rely on Evidence of His Eyes and the Judgement of His More Prosaic Senses', 2020Paper collage: photographic print of an archive slide image, magazine centrefold.
'Deck access flats and maisonettes, Hulme, 1972'
Penthouse: Vol. 2 No.1, 1966
Model: Amber Dean-Smith41.8 x 27.8 cmSigned, titled and datedSarah Hardacre, 'Tradition Has It that Man does Better to Rely on Evidence of His Eyes and the Judgement of His More Prosaic Senses', 2020£ 960.00 -
Sarah HardacreA loving and candid tribute, 2020Paper collage27.7 x 20.2cmSigned, titled and dated
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Sarah HardacreA man needs a good reason to walk a mile, 2020Paper collage17.6 x 18.4cmSigned, titled and dated
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Sarah HardacreA Stunning Evocation, 2020Paper collage25.6 x 41.8cmSigned, titled and datedSarah Hardacre, A Stunning Evocation, 2020£ 500.00
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Sarah HardacreA Subtle Suggestion, 2020Paper collage25.5 x 34.5cmSigned, titled and datedSarah Hardacre, A Subtle Suggestion, 2020£ 500.00
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Sarah HardacreA volatile and observably voluptuous example of Volvos and smorgasbord rolled into one, 2020Paper collage38 x 33.1cmSigned, titled and datedSarah Hardacre, A volatile and observably voluptuous example of Volvos and smorgasbord rolled into one, 2020£ 500.00
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Sarah HardacreAn Exposure So Haunting, 2020Paper collage25.2 x 34.8cmSigned, titled and datedSarah Hardacre, An Exposure So Haunting, 2020£ 500.00
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Sarah HardacreAnother way is to relax, and let life flow past you, 2020Paper collage15.2 x 21.9 cmSigned, titled and datedSarah Hardacre, Another way is to relax, and let life flow past you, 2020£ 360.00
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Sarah HardacreAt some point the girls had taken over, 2020Paper collage18 x 26.2cmSigned, titled and datedSarah Hardacre, At some point the girls had taken over, 2020£ 400.00
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Sarah HardacreBut really there is no ideal man is there?, 2020Paper collage29.4 x 42 cmSigned, titled and datedSarah Hardacre, But really there is no ideal man is there?, 2020Sold
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Sarah HardacreCrystal Vanilla, 2020Paper collage15.3 x 19.7cmSigned, titled and datedSarah Hardacre, Crystal Vanilla, 2020£ 300.00
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Sarah HardacreDisplaying a Rhythmic Range of Tones that Run Effortlessly Together to Form a Perfect Harmony Between Body and Soul, 2020Paper collage: magazine cutting, digital print of an archive slide and G.F. Smith Peregrina Magestic Petal 310gsm paper.
'Manchester Polytechnic's John Dalton Building on Oxford Road in 1991.'
Architect: W. Hepple of the City Architects Department
Built: 1974
Penthouse: Vol. 2 No. 5, November 1967
Model: Melanie Topping41.5 x 29.7 cmSigned, titled and datedSarah Hardacre, Displaying a Rhythmic Range of Tones that Run Effortlessly Together to Form a Perfect Harmony Between Body and Soul, 2020£ 960.00 -
Sarah HardacreDo you want this to happen to you, 2020Paper collage15.4 x 19.4cmSigned, titled and dated
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Sarah HardacreElectric Blood, 2020Paper collage14.9 x 24.5 cmSigned, titled and datedSarah Hardacre, Electric Blood, 2020Sold
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Sarah HardacreEverything is removed with a triumphant flourish, 2020Paper collage.18.9 x 29.5 cm.Signed, titled and dated.Sarah Hardacre, Everything is removed with a triumphant flourish, 2020£ 480.00
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Sarah HardacreFinance ministers apart, how can we encourage Franco to step up his export drive?, 2020Paper collage28.8 x 38.9cmSigned, titled and dated
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Sarah HardacreFor devotees of “It’s a Man’s World” department, what more could we ask in the way of Instant Courage?, 2020Paper collage30 x 22.5 cmSigned, titled and datedSarah Hardacre, For devotees of “It’s a Man’s World” department, what more could we ask in the way of Instant Courage?, 2020£ 480.00
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Sarah HardacreGlamorous Peregrinations, 2020Paper collage12.4 x 21cmSigned, titled and dated
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Sarah HardacreHer plans for the future are leisurely amorphous, 2020Paper collage26.8 x 23.4 cmSigned, titled and datedSarah Hardacre, Her plans for the future are leisurely amorphous, 2020Sold
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Sarah HardacreHer tall form languidly arose and stood erect, 2020Paper collage41.9 x 27.7cmSigned, titled and datedSarah Hardacre, Her tall form languidly arose and stood erect, 2020£ 500.00
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Sarah HardacreI have never been able to dispel the vision, 2020Paper collage19.1 x 36.1cmSigned, titled and datedSarah Hardacre, I have never been able to dispel the vision, 2020Sold
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Sarah HardacreI met her on the Boulevard St. Germain and bought her a beer and made my Witch Pitch, 2020Paper collage26 x 16.5cmSigned, titled and datedSarah Hardacre, I met her on the Boulevard St. Germain and bought her a beer and made my Witch Pitch, 2020Sold
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Sarah HardacreI took a walk in the woods and came out taller than the trees, 2020Paper collage18.3 x 26cmSigned, titled and datedSarah Hardacre, I took a walk in the woods and came out taller than the trees, 2020Sold
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Sarah HardacreIn all the world there’s only one of me, 2020Paper collage30.1 x 22.6cmSigned, titled and dated
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Sarah HardacreIn an age of waxing scepticism I really dig straight, honest, sentimental stories, 2020Paper collage27.9 x 21 cmSigned, titled and datedSarah Hardacre, In an age of waxing scepticism I really dig straight, honest, sentimental stories, 2020Sold
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Sarah HardacreIt’s good to be applauded; not because I’m any good, but because I’m Billy Deane from round the corner, 2020Paper collage26.2 x 19.2cmSigned, titled and datedSarah Hardacre, It’s good to be applauded; not because I’m any good, but because I’m Billy Deane from round the corner, 2020Sold
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Sarah HardacreJacqueline is an ambition, 2020Paper collage13.2 x 25.4cmSigned, titled and datedSarah Hardacre, Jacqueline is an ambition, 2020£ 400.00
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Sarah HardacreMore running feet than the rest of Britain combined, 2020Paper collage29.4 x 21.7cmSigned, titled and datedSarah Hardacre, More running feet than the rest of Britain combined, 2020£ 480.00
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Sarah HardacreNew Objectivity, 2020Paper collage13.4 x 25.3cmSigned, titled and datedSarah Hardacre, New Objectivity, 2020£ 480.00
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Sarah HardacreNo Mere Orthodox Ornament, 2020Paper collage30 x 42cmSigned, titled and datedSarah Hardacre, No Mere Orthodox Ornament, 2020£ 500.00
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Sarah HardacreOh, there’s any amount of things to do and places to see, 2020Paper collage43 x 28.5cmSigned, titled and datedSarah Hardacre, Oh, there’s any amount of things to do and places to see, 2020£ 600.00
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Sarah HardacreOne of you is a rough plan, 2020Paper collage15 x 16.7cmSigned, titled and datedSarah Hardacre, One of you is a rough plan, 2020Sold
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Sarah HardacreReflections of an emerald eye, 2020Paper collage18.3 x 26cmSigned, titled and datedSarah Hardacre, Reflections of an emerald eye, 2020£ 400.00
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Sarah HardacreRemembered Meetings, 2020Paper collage13.5 x 25.6cmSigned, titled and datedSarah Hardacre, Remembered Meetings, 2020£ 360.00
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Sarah HardacreShe is the song of a butterfly, 2020Paper collageSheet size 13.3 x 25.9 cm
Framed size 15.5 x 28.5 cmSigned, titled and dated.Sarah Hardacre, She is the song of a butterfly, 2020£ 480.00 -
Sarah HardacreSoft Beds, Hard Battles, 2020Paper collage and Swarovski crystals42.3 x 28.1cmSigned, titled and datedSarah Hardacre, Soft Beds, Hard Battles, 2020£ 500.00
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Sarah HardacreSolve all your problems in one sitting, 2020Paper collage11.4 x 14.4cmSigned, titled and datedSarah Hardacre, Solve all your problems in one sitting, 2020£ 300.00
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Sarah HardacreSome funny things happened to me on the way to the printer, 2020Paper collage41.7 x 27.6cmSigned, titled and dated
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Sarah HardacreStormy Screening of Satyricon, 2020Paper collage16.6 x 16.2cmSigned, titled and datedSarah Hardacre, Stormy Screening of Satyricon, 2020£ 300.00
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Sarah HardacreStripped For Summer, 2020Paper collage27 x 29.8 cmSigned, titled and dated
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Sarah HardacreSun and sand, earth and water are the basic ingredients of life, 2020Paper collage27.5 x 20.1cmSigned, titled and dated
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Sarah HardacreSymphony For One, 2020Paper collage19.8 x 28.3cmSigned, titled and datedSarah Hardacre, Symphony For One, 2020Sold
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Sarah HardacreThe Camels Are Coming, 2020Paper collage23.7 x 20.8 cmSigned, titled and datedSarah Hardacre, The Camels Are Coming, 2020Sold
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Sarah HardacreThe two most powerful warriors are patience and time, 2020Paper collage.8.9 x 17.4 cm.Signed, titled and dated.Sarah Hardacre, The two most powerful warriors are patience and time, 2020£ 360.00
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Sarah HardacreThe utterly effortless guide to getting it, 2020Paper collage42.3 x 27.5cmSigned, titled and datedSarah Hardacre, The utterly effortless guide to getting it, 2020£ 500.00
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Sarah HardacreThe youth pill and your taxes, 2020Paper collage17.4 x 16.9cmSigned, titled and datedSarah Hardacre, The youth pill and your taxes, 2020Sold
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